Lit Fest - Lighthouse Writers Workshop 2026

The popular image of the poet is as a dasher off of poem drafts. So manic and mercurial are poets’ imaginations that not even champion typists can keep abreast of them. If there’s a problem, it’s something to which they can return in a quiet moment way down the road. The focus of this week will be to set ourselves against this popular image, to make every moment a quiet moment, to fix problems as they arise, to revise even as the poem’s vision for itself is slowly coming into being and, in the end, to cut down on a lot of unnecessary work. The key to this approach is to write the poem one line at a time, to allow one idea to lead to another, and to avoid getting ahead of ourselves. When we implement this approach, the poem is now, paradoxically, more likely to bring us to a place of genuine immediacy and vitality which had hitherto been illusory.

In this weeklong seminar, poets, fiction writers, and memoirists (and even non-writers) will re-consider and even de-rail their works in progress (or write new ones) informed by some new approaches, formal constraints, good talk, and engagement with other art forms. We’ll write at least four pieces this week, taking cues from the history of poetry and prose, music, photos, and film, and we will effectively banish the lines that separate these forms of expression in order to instill our own work with the real breadth of this postmodern world. Bring a song, a problem (aesthetic or personal), or at least one significant photo, stuffed animal, flyer, something—a piece of real or artificial fruit. The goal is to create a live working environment, a studio effect, in order to generate more work and to get reinstalled or re-awakened in our writing process.

*Since this is a generative class and can accommodate a few more people, Eileen cannot meet one-on-one with each participant, but they tend to be around Lit Fest and there are ample opportunities for additional talks.