Lit Fest - Lighthouse Writers Workshop 2026

We’ll begin with a difficult task: do not outline your novel or novella or short story or essay or memoir. Do not think out the plot, the narrative arc, the protagonist’s journey, whatever you want to call it. Instead, try to find the story through an honest excavation of the characters’ total experience of the situation in which they find themselves. Do that, and the story will begin to write itself.


But how, precisely, does one go about this “excavation”? And how, technically speaking, can we ignite a story into “writing itself”? Come to this workshop, and we’ll demystify those writerly tools and skills that, time and time again, if they are sharp enough, and if the writer can summon enough daily faith and nerve, can penetrate the mystery of story itself.


Fiction, as well as creative nonfiction is welcome. We will be doing in-class writing exercises and workshopping each participant’s submission.

Maybe you’ve been wanting to try writing creative nonfiction. Maybe you have been writing it but are feeling a little bit stuck. Maybe you’re restless, curious. Maybe you’re wondering how to create a cohesive work out of a lifetime of material. Where to start? How to shape it? This generative workshop is geared toward inspiration, starts and restarts, and rethinking nonfiction, at any level. Whether you’re interested in memoir, essays, memoir-in-essays, or anything in between, you’ll find guidance, support, writing prompts, and discussion aimed at helping you figure out your writing process. We’ll talk about ideas, structure, perspective, ethical concerns (how do we know what we should write? how do we write about other people?), and more. This workshop is all about gaining greater focus and understanding as we generate work and ideas in a fun and supportive environment.

Art is architecture; art is artificial; art is...? The biggest challenge for any writer of narrative is finding the map from beginning to end. This workshop is designed for writers working on book-length memoirs who wish to delve more deeply into the issues of structure, style, and voice: these three craft points will be our focus, as they make up the net that holds a narrative together in a propulsive, engaging, immersive, and beautiful way. The goal of this workshop is to take your completed manuscript to the next level. We'll also discuss different avenues of publication.

Behind every piece of narrative nonfiction there exists a dual narrative. This partnership of story with meaning is often the blend that provides memoir, personal essay, and narrative nonfiction pieces with both tension and emotional consequence. There is the story as it exists on the page, and then there is the shadow narrative, whispering behind that story, trying to make sense of it. In this weeklong workshop, students will be asked to explore these dual narratives in their own work and in published works from contemporary practitioners such as Rachel Kaadzi Ghansah, Eula Biss, Richard McCann, and others. Particular attention will be paid to voice and point of view.

If your memoir is reading like the hair in the "Before" photo in a shampoo commercial — flat, lifeless and dull — adding a scene might be what's missing! In this seminar we'll chat about what it looks like to "show not tell" by bringing your reader into the real-time of your narrative. The writing prompts for this seminar can be applied to your work-in-progress or generate writing for a new piece.

In this seminar, we’ll explore strategies for integrating research into our own first-person writing with the goal of answering some burning questions about creative nonfiction: How do essayists use “real” experiences to make stories that move? How do they create context that matters, turn personal anecdotes into universally applicable meanings, and write fresh perspectives into experiences and topics that are age-old: culture, travel, death, or love? What is the best way to build context and to shape essays so that they have momentum and meaning? In other words, how do we make meaning?

This is the livestream version of this event.

In this seminar, we’ll explore strategies for integrating research into our own first-person writing with the goal of answering some burning questions about creative nonfiction: How do essayists use “real” experiences to make stories that move? How do they create context that matters, turn personal anecdotes into universally applicable meanings, and write fresh perspectives into experiences and topics that are age-old: culture, travel, death, or love? What is the best way to build context and to shape essays so that they have momentum and meaning? In other words, how do we make meaning?

This is the livestream version of this event.

In this class, we’ll read excerpts from essays that appeared in the Best American Essays 2025 with an eye to their technique, structure, story, voice, and emotion. We’ll study recent trends in essays as well as classic templates, glean everything we can learn from some of the best essayists working today, and leave with some fresh starts and ideas for our own writing.