Lit Fest - Lighthouse Writers Workshop 2026

In this seminar designed for screenwriters and prose writers of all levels, we’ll use dramatic structure to help us get unstuck. Bring along a draft that’s failing or an idea that’s not finding a form, and we’ll explore the intricacies and opportunities of narrative structure. Over the course of this week, we’ll utilize a four-part system Bakopoulos developed while writing television pilot scripts (but that YOU can apply to any form of narrative writing—short stories, memoirs, novels, screenplays, TV scripts, plays etc.) to move past any literary obstructions you’re battling.


While no system is a magic potion that can take away the agonies of creation, this character-based approach to structure allows you to rethink the possibilities of your project. We'll discuss characters and their journeys towards liberation, as well as the notion of dramatic escalation, the tension between exposition and plot, the construction of compelling scenes, and the importance of unexpected dialogue and minor characters. We’ll watch scenes from great television pilot episodes and feature films as examples to illustrate these principles;we’ll also read a few passages of prose.


We’ll take part in at least one generative exercise per session; by the fifth day of the course, you will have a shiny new four-part outline that will help you successfully revise, or finally draft, a stuck project.


*Dean's weeklong seminar is two hours each day and does not include one-on-one meetings. The tuition is also adjusted (down) from the typical weeklong workshop.

I recommend that every participant in this workshop watch Ruben Ostlund’s Triangle of Sadness (available on Hulu and elsewhere) before coming to class, and then we will discuss his unique triangular form. We’ll imitate the form in a writing exercise, coming up with a simple premise involving two characters, expanding the premise, and then flipping the premise entirely on its head. Come ready to write!