Lit Fest - Lighthouse Writers Workshop 2026

In this weeklong seminar, poets, fiction writers, and memoirists (and even non-writers) will re-consider and even de-rail their works in progress (or write new ones) informed by some new approaches, formal constraints, good talk, and engagement with other art forms. We’ll write at least four pieces this week, taking cues from the history of poetry and prose, music, photos, and film, and we will effectively banish the lines that separate these forms of expression in order to instill our own work with the real breadth of this postmodern world. Bring a song, a problem (aesthetic or personal), or at least one significant photo, stuffed animal, flyer, something—a piece of real or artificial fruit. The goal is to create a live working environment, a studio effect, in order to generate more work and to get reinstalled or re-awakened in our writing process.

*Since this is a generative class and can accommodate a few more people, Eileen cannot meet one-on-one with each participant, but they tend to be around Lit Fest and there are ample opportunities for additional talks.

What can poets learn from the techniques of collage? In this image & text based seminar, we will discuss and practice collage in both written and visual mediums. Come ready to experiment and to play with textual fragments, images, scissors, paper, and glue. Participants, please bring collage materials (things to cut up).

Philip K. Dick claimed that he did not write one of his greatest novels, The Man in the High Castle, by himself. Dick discovered the I Ching when he began the novel and he claimed the I Ching co-wrote the novel with him. The I Ching is a 3,000 year-old collection of 64 poems. It can be read as philosophy but is most famous as an oracle, using a method of casting coins or yarrow stalks. This workshop guides students through the process of consulting the I Ching to guide the course of their story.