Lit Fest - Lighthouse Writers Workshop 2026

We write not just with our minds but with our bodies. In this class, taught by a certified dance fitness instructor, we’ll explore what moving our bodies does for our writing. Using the principles of LaBlast dance fitness, which incorporates ballroom dance moves into accessible, partner-free patterns, we’ll alternate a variety of dance styles with writing sessions and see what comes loose. Open to all genres and all writing, dance, and fitness levels: the dances will be offered in lower intensity forms to suit the non-gym environment, though comfortable clothes and shoes are recommended.

It’s easy to write a story—you just have your characters do things, think, and engage in witty dialogue. But it’s difficult to write an excellent story—you have to expose something vital (maybe even dark, certainly elemental) that lurks in your subconscious, that speaks to your true self. If you’re unwilling to dig around and go deep, you’ll be forever writing perfectly fine stories that skim the surface. In this class, we’ll look at famous works that definitely took a risk, and, with these excerpts as inspiration, we’ll take an expedition to find our own dark materials.

“The future is not yet written,” says Rebecca Solnit, “[because] we are writing it now.” Even when hope feels harder than ever to maintain, the most effective single act of environmental conservation and protest is to tell stories. In this class, we’ll read and discuss writers across different genres, like Barry Lopez, Paisley Rekdal, Richard Powers, and Robin Wall Kimmerer. Their work artfully weaves the ecological with the individual. We’ll then experiment with enhancing our own writing through new techniques of engagement with the natural world. For any writer wanting more reason to hold onto hope for the future!

Every character has secrets. It's your job as a writer to uncover them. In this craft workshop, we'll put your main characters in the hot seat and ask the tough questions that reveal who they really are, what they want, and what they're hiding from you. Through guided exercises and group discussion, you'll learn how to interrogate your characters to uncover hidden motivations, fears, contradictions, and desires that can crack open your writing.

In this lecture and discussion, we'll consider time as a formal component of narrative, essayistic, and lyrical writing. Moving beyond the distinction between scene and summary, we'll introduce techniques for mapping a story's time, and consider what happens when we stop or step outside of time's passage. We'll also experiment with time as a generative tool. By the session's end, we'll depart with new curiosities and the confidence to work and play with time as we might voice, POV, and every other element of creative writing.